Tag: WOMAN_IN_ART

50n9 70 7h3 5123n

Life… Death… Transformation… – Metamorphosis as the basic law of Life.
In this work I have combined three important figures – three important concepts.
Mother. Gaia. Venus.
I consider this work to be the embodiment of matriarchy.
The embodiment of Motherhood, Femininity and Beauty.
*This work is a reference to prehistoric art – late stone age Venus figurines.

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V3NUS | S3LFP0RTRA1T

V3NUS | S3LFP0RTRA1T
born: 28/07/2020
hight: 12 c’m
contains: gypsum, Kombucha leather, fungus, mycelium, soil, blood, fury, fire
*This work is a reference to prehistoric art – late stone age Venus figurines.

 

“I have always had a feeling that I am a stranger here …

There was always a feeling in the background that I was there, in prehistoric times … that I was the person painting on the walls in the cave, the mysterious person we would never know. Who was he? What did he experience and think when he painted there in the dark cave … Alone?

I have always been very attracted to prehistoric art. I create a lot of works that are like prehistoric sculptures, like rock paintings. In these works I use “primitive” materials, I make them “simple” … I want this “simplicity”, this “primitiveness”, to work with the hands, to delve, to sink, to disconnect.

I choose figures like a statue of a woman, like “Figurine Venus”, which symbolizes matriarchy and expresses my strong attraction to the Earth, Mother figure, Woman figure, Womb, Life source…

Perhaps this character is so attractive to me and I keep coming back to her in my art, precisely because I never experienced it, because I don’t know what a mother is, what a protective and enveloping figure is, because I never had a mother, because I never knew her, and I was never someone’s ‘Child’…
Maybe that’s why I’m so hungry for heat, why I need protection … and that hunger will never go away…

* Gaia, also known as Ashtoreth – the universal image of the goddess contains three forms or main titles – Queen, Virgin, Mother.”

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V3NUS S3LFP0RTRA1T | BURN3D – GL0W

V3NUS S3LFP0RTRA1T | BURN3D – GL0W
born: 28/07/2020
burned: 10/08/2020
hight: 12 c’m
contains: gypsum, Kombucha leather, fungus, mycelium, soil, blood, fury, fire
*This work is a reference to prehistoric art – late stone age Venus figurines.

 

“I have always had a feeling that I am a stranger here …

There was always a feeling in the background that I was there, in prehistoric times … that I was the person painting on the walls in the cave, the mysterious person we would never know. Who was he? What did he experience and think when he painted there in the dark cave … alone?

I have always been very attracted to prehistoric art. I create a lot of works that are like prehistoric sculptures, like rock paintings. In these works I use “primitive” materials, I make them “simple” … I want this “simplicity”, this “primitiveness”, to work with the hands, to delve, to sink, to disconnect.

I choose figures like a statue of a woman, like “Figurine Venus”, which symbolizes matriarchy and expresses my strong attraction to the earth, mother figure, woman figure, womb, life source…

Perhaps this character is so attractive to me and I keep coming back to her in my art, precisely because I never experienced it, because I don’t know what a mother is, what a protective and enveloping figure is, because I never had a mother, because I never knew her, and I was never someone’s ‘Child’…
Maybe that’s why I’m so hungry for heat, why I need protection … and that hunger will never go away…

* Gaia, also known as Ashtoreth – the universal image of the goddess contains three forms or main titles – Queen, Virgin, Mother.”

For sales enquiries, contact: Th3Max@protonmail.com
Ph0n3: +972-58-58o-2342
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*Worldwide delivery

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V3NUS | S3LFP0RTRA1T | 2 UND3RGROUND

V3NUS | S3LFP0RTRA1T | 2 UND3RGROUND
born: 28/07/2020
hight: 12 c’m
contains: gypsum, Kombucha leather, fungus, mycelium, soil, blood, fury
*This work is a reference to prehistoric art – late stone age Venus figurines.

 

“I have always had a feeling that I am a stranger here …

There was always a feeling in the background that I was there, in prehistoric times … that I was the person painting on the walls in the cave, the mysterious person we would never know. Who was he? What did he experience and think when he painted there in the dark cave … alone?

I have always been very attracted to prehistoric art. I create a lot of works that are like prehistoric sculptures, like rock paintings. In these works I use “primitive” materials, I make them “simple” … I want this “simplicity”, this “primitiveness”, to work with the hands, to delve, to sink, to disconnect.

I choose figures like a statue of a woman, like “Figurine Venus”, which symbolizes matriarchy and expresses my strong attraction to the earth, mother figure, woman figure, womb, life source…

Perhaps this character is so attractive to me and I keep coming back to her in my art, precisely because I never experienced it, because I don’t know what a mother is, what a protective and enveloping figure is, because I never had a mother, because I never knew her, and I was never someone’s ‘Child’…
Maybe that’s why I’m so hungry for heat, why I need protection … and that hunger will never go away…

* Gaia, also known as Ashtoreth – the universal image of the goddess contains three forms or main titles – Queen, Virgin, Mother.”

 

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‘V3NUS | S3LFP0RTRA1T’ | AFTER 9 DAYS IN VACUUM BOX¡¡¡

AFTER 9 DAYS IN VACUUM BOX¡¡¡
‘V3NUS | S3LFP0RTRA1T’
born: 28/07/2020
hight: 12 c’m
contains: gypsum, Kombucha leather, fungus, blood
*This work is a reference to prehistoric art – late stone age Venus figurines.

 

“I have always had a feeling that I am a stranger here …

There was always a feeling in the background that I was there, in prehistoric times … that I was the person painting on the walls in the cave, the mysterious person we would never know. Who was he? What did he experience and think when he painted there in the dark cave … alone?

I have always been very attracted to prehistoric art. I create a lot of works that are like prehistoric sculptures, like rock paintings. In these works I use “primitive” materials, I make them “simple” … I want this “simplicity”, this “primitiveness”, to work with the hands, to delve, to sink, to disconnect.

I choose figures like a statue of a woman, like “Figurine Venus”, which symbolizes matriarchy and expresses my strong attraction to the earth, mother figure, woman figure, womb, life source…

Perhaps this character is so attractive to me and I keep coming back to her in my art, precisely because I never experienced it, because I don’t know what a mother is, what a protective and enveloping figure is, because I never had a mother, because I never knew her, and I was never someone’s ‘Child’…
Maybe that’s why I’m so hungry for heat, why I need protection … and that hunger will never go away…

* Gaia, also known as Ashtoreth – the universal image of the goddess contains three forms or main titles – Queen, Virgin, Mother.”

DANCING HAIR

Hits: 2

TABOO/TRANSGRESSION/TRANSCENDENCE/2020 | “PA1N MAP/T0TAL R3CALL”

TABOO – TRANSGRESSION – TRANSCENDENCE
26-28/11/2020, University of Applied Arts Vienna, Austria.

The project “PA1N MAP/T0TAL R3CALL” participates into the conference’s program.

The fourth international conference “Taboo – Transgression – Transcendence in Art & Science” will take place November 26–28, 2020, in Austria, hosted by the University of Applied Arts Vienna. Including theoretical and art practice presentations, TTT2020 continues to focus (a) on questions about the nature of the forbidden and aesthetics of liminality as expressed in art that uses or is inspired by technology and science, and (b) on the opening of spaces for creative transformation in the merging of science and art.

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V3NUS | S3LFP0RTRA1T

V3NUS | S3LFP0RTRA1T
born: 28/07/20
hight: 12 c’m
materials: gypsum, Kombucha leather, blood
GOING 2 VACUUM BOX¡¡¡
*This work is a reference to prehistoric art.

 

“I have always had a feeling that I am a stranger here …

There was always a feeling in the background that I was there, in prehistoric times … that I was the person painting on the walls in the cave, the mysterious person we would never know. Who was he? What did he experience and think when he painted there in the dark cave … alone?

I have always been very attracted to prehistoric art. I create a lot of works that are like prehistoric sculptures, like rock paintings. In these works I use “primitive” materials, I make them “simple” … I want this “simplicity”, this “primitiveness”, to work with the hands, to delve, to sink, to disconnect.

I choose figures like a statue of a woman, like “Figurine Venus”, which symbolizes matriarchy and expresses my strong attraction to the earth, mother figure, woman figure, womb, life source…

Perhaps this character is so attractive to me and I keep coming back to her in my art, precisely because I never experienced it, because I don’t know what a mother is, what a protective and enveloping figure is, because I never had a mother, because I never knew her, and I was never someone’s ‘Child’…
Maybe that’s why I’m so hungry for heat, why I need protection … and that hunger will never go away…

* Gaia, also known as Ashtoreth – the universal image of the goddess contains three forms or main titles – Queen, Virgin, Mother.”

 

Hits: 3

UNSP0K3N’ / S3LF P0RTRA1T-MASK | RECREATION

‘UNSP0K3N’ / S3LF P0RTRA1T – MASK | RECREATION
a recreation of a Art piece that I made and she left 2 Australia (in process)
materials: gypsum, Kombucha Leather, blood, Ceiba speciosa spikes, Spathodea flowers

Spathodea flowers applied on the skull.

Spathodea flowers applied on the skull.

Spathodea flowers applied on the skull.

WHAT WAS BEFORE

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TRINITY | GUISE

TRINITY
‘BURN1NG M3N / D0UBL3 P0RTRA1T’ – born 15/04/18
‘TH3M0TH3R / GA1A / V3NUS’ – born 28/02/2019
‘BLACK QU33N’ – born 04/07/18

‘GUISE’
A HUMAN DISGUISE (also human guise and sometimes human form) is a concept in fantasy, folklore, mythology, religion, literary tradition, iconography, and science fiction whereby nonhuman beings such as aliens, angels, demons, gods, monsters, robots, Satan, or shapeshifters are disguised to seem human. Stories have depicted the deception as a means used to blend in with people, and science fiction has used the dichotomy to raise questions about what it means to be HUMAN.

*Sculptures are made out of: gypsum, Kombucha Leather, fungus, agar, blood, tree spikes, flowers, seaweed, fire.

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”מעת נעמי רייכמן | ”דם בזמן פציעות

ידיעות אחרונות 3.7.2020
דם בזמן פציעות” | מעת נעמי רייכמן”
פגישה ושיחה נערכו בתאמי לכבוד הרצאה וסדנה של מקס טאבו\דם\קמבוצ’ה

במשך שנים מקס חתכה את עצמה עד כדי סכנת חיים . היום, כחלק מתהליך ההחלמה, מקס האמנית הופכת יריעות של פטריית קמבוצ’ה שהיא מגדלת ל”עור אנושי” שעליו היא משרטטת את הטראומות שלה

 

Hits: 92

xɐɯ3ɥʇ at TAMI AGAIN¡¡¡ | 25/6/2020

xɐɯ3ɥʇ at TAMI AGAIN¡¡¡ | 25/6/2020
BioArt Workshop and Lecture | Kombucha Skin, Blood, Taboo
This workshop is a prelude and fundraiser
for the upcoming exhibition ‘PA1N MAP/T0TAL R3CALL’ 1st time in Israel.
A chance to personally meet and support the artist, learn about the motivation for the project and the unique choice of BioArt philosophy.

link 2 event in TAMI

 

Hits: 7